Film Society BuyTickets membership Sponsorship about search  
  Walter Reade Theater
  Film Comment
  New York Film Fetival
  New Director New Films
  Special Events
   
 
Currently On Sale
On Sale: 2011 Archive
On Sale: 2010 Archive
Film Foundation
Satoshi Kon
SE: Jerzy Skolimowski
SE: Mario Monicelli
SE: The Fighter
Spanish Cinema Now
SE: Dave Brubeck
Chabrol & Penn
Freedom Riders
Suso Cecchi D'Amico
SE: Rambling Boy
Cannon Films Canon
IN: Joyce Chopra
FCS: I Love You PM
Smita Patil
FCS: Cisco Pike
Stanley Donen
SE: Jessie Maple's Will
Scary Movies 4
Mountainfilm
IN: 11/4/08
IN: Chekhov for Children
SE: Tiny Furniture
Nathalie Baye
SE: Desperately...
SE: John Hughes
John Hughes
Latinbeat 2010
20th Century Fox
FC Double Feature
SE: Hip Hop
Eric Rohmer
IN: The Last Survivor
FC: Summer Meltdown
FCS: Animal Kingdom
GS: Vanishing...
SE: Airplane
Isabel Sarli
Ken Russell
GS: Climate Refugees
SE: You Don't Know...
21st Century Ltd.
Clint Eastwood
FC: Chandler
NY Asian FF
Human Rights Watch
IN: No Tomorrow
New Italian Cinema
Agnes Jaoui
Comedy Marathon
IN: Orgasm Inc
Muslim/Bombay
SE: A Star Is Born
Gr. Scr.: Fowl Play
Lebanese Cinema
Chopin
FCS: Red Dawn
They Came to Play
Swedish Cinema
Bahman Ghobadi
NYAFF 2010
Chaplains Under Fire
ND/NF Classics French
Plastic
Rendez-Vous
Anne Bancroft
The Winner Is... NY!
Film Comment Selects
SE: Rise Up
SE: A Prophet
Hungarian Cinema
FCS: Jonathan Demme
IN: Prodigal Sons
FCS: Andy Warhol...
Polish Cinema
The Good The Bad...
DOC 2010
NY Jewish Film Festival
Jeff Bridges
Chopin on Camera
Brazilian Horror
Louis Malle
On Sale: 2009 Archive
On Sale: 2008 Archive
On Sale: 2007 Archive
On Sale: 2006 Archive
On Sale: 2005 Archive
Archive 2005 - To April
Archive 2004 - WRT
Archive 2003 - WRT
Archive 2002 - WRT
Archive 2001 - WRT
Archive 2000 - WRT
Archive 1999 - WRT
Archive 1998 - WRT
Archive 1997 - WRT
Archive 1996 - WRT

FASTEN YOUR SEATBELTS!

75 Years of 20th Century Fox
September 4 to 6

New and Restored Prints! 70mm! Director's Cut!

Special Appearances By
Elliott Gould! – Sally Kellerman!
Tom Skerritt! – Kathryn Altman!

From its famous fanfare to its storied backlot, from Shirley Temple to Star Wars, and from Alien to Avatar, 20th Century Fox has spent 75 years casting its iconic searchlights on to movie audiences around the world. Join us as we celebrate this historic anniversary with a weekend of screenings and special appearances, including newly restored prints, 70mm epics, and the 40th anniversary of Robert Altman’s M*A*S*H!

Programmed by Scott Foundas and Josh Strauss. Special thanks to Caitlin Robertson (20th Century Fox) & Brian Block (Criterion Pictures, USA).


Labor Day Weekend Special-25% discount on tickets!
$9 General Public/ $7 Students/ $6 Seniors/ $5 Members

See it all and save even more with an All-Access Pass!
$49 General Public/ $39 Students & Seniors / $29 Members BONUS! Get a free popcorn and soda at the concession stand with the purchase of an All Access Pass. Limit one coupon per customer.
Buy your pass now! >>





Calendar >>

Single Screening Tickets
$9 General Public
$7 Students
$6 Seniors
$5 Members

Tickets and passes are also on sale at the Walter Reade Theater's box office.

VISITOR INFO >>

  Scene Photo Hangover Square
John Brahm, 1945, USA; 77m

Cited by Stephen Sondheim as one of the inspirations for Sweeney Todd, director John Brahm’s hair-raising chiller stars the inimitable Laird Cregar as a Victorian-era composer whose amnesiac “little black moods” mysteriously coincide with a madman’s murderous attacks on the good people of London. Propelled by one of Bernard Herrmann’s finest scores, this 77-minute noir gem features a sensational performance by the garrulous Cregar in the role that launched him on the crash diet ultimately blamed for his untimely death from a heart attack at age 31.



  Buy Tickets
Sat Sep 4: 12:45
Scene Photo Kiss of Death
Henry Hathaway, 1947, USA; 98m

Richard Widmark pushed a wheelchair-bound old lady down a flight of stairs—and catapulted himself into movie stardom—in his Oscar-nominated debut performance as sadistic hired gun Tommy Udo in Henry Hathaway’s blisteringly intense noir classic. Sprung from Sing Sing on the condition that he cooperate with an ongoing murder investigation, hard-luck ex-con Victor Mature tries to lure Udo into the DA’s web, only to find himself the latest target of this cold-blooded psycho killer.



Buy Tickets
Sat Sep 4: 2:30


Scene Photo Nightmare Alley
Edmund Goulding, 1947, USA; 110m

“Once seen, is not easily forgotten. Remarkably sordid.” --J. Hoberman

In Edmund Goulding’s unapologetically lurid morality play, con man Tyrone Power joins a third-rate traveling carnival, where he insinuates himself into the lives of an ex-vaudeville psychic (Joan Blondell) and her alcoholic sideshow-freak husband. Having obtained the psychic’s mind-reading secret, he trades the fairgrounds for the high-society nightclub circuit, only to find himself trapped in an even more vicious circle of duplicity and deception. Can he ever escape from Nightmare Alley?



Buy Tickets
Sat Sep 4: 4:30

Scene Photo M*A*S*H
Robert Altman, 1970, USA; 116m
New Print!

Q&A with cast members Elliott Gould, Sally Kellerman and Tom Skerritt, and Kathryn Reed Altman (widow of Robert Altman) following screening!

“The best American war comedy since sound came in.” --Pauline Kael

Forty years on, Robert Altman’s gleefully subversive military satire hasn’t lost an ounce of its anti-authoritarian bite. So join the crack staff of the 4077th Mobile Army Surgical Hospital as they soldier through the Korean War like a band of merry pranksters, laughing so as not to cry at the horror and absurdity that surrounds them.



Buy Tickets
Sat Sep 4: 6:45

Scene Photo Vanishing Point
Richard C. Sarafian, 1971, USA; 99m
New Print!

One of the choice pictures from the post-Sixties come-down is this road movie on amphetamines. Vietnam veteran, former police officer, and ace driver Kowalski (determined Barry Newman) takes a car cross-country and tries to outrun the law in an existentialist race to the final end. The sweet Dodge Challenger that is his muscle car of choice roars across the screen, spawning a cult virtually all its own among auto buffs. Featuring the off-the-wall radio-DJ stylings of Cleavon Little, chorus to Kowalski’s death trip.



Buy Tickets
Sat Sep 4: 10:00
Scene Photo The Ox-Bow Incident
William A. Wellman, 1943, USA; 75m

This stark look at vigilantism in the Wild West stars Henry Fonda as a drifter who warily joins a posse of Nevada townsfolk in pursuit of murderous cattle rustlers. Once the supposed culprits are found, he vainly tries to temper the crowd’s cries for vengeance. William A. Wellman’s atmospheric direction and a brilliant cast led by Fonda’s almost conscience-driven performance drive this grim, gripping examination of mob rule and the dark side of frontier justice. With Henry Morgan, Dana Andrews, and Anthony Quinn.



Buy Tickets
Sun Sep 5: 12:00
Scene Photo Niagara
Henry Hathaway, 1953, USA; 92m
Restored Print!

In one of her first leading roles, Marilyn Monroe sizzles as the flirtatious younger wife of jealous, mentally unstable George Loomis (Joseph Cotten). When two honeymooners (Max Showalter and Jean Peters) unexpectedly share a Niagara Falls cabin with this unhappy pair, foul play soon follows. The rare noir film shot in glorious Technicolor, the movie lives up to the breathless promise of its trailer: “Niagara and Marilyn Monroe: The two most electrifying sights in the world!”



Buy Tickets
Sun Sep 5: 1:35
Scene Photo All About Eve
Joseph L. Mankiewicz, 1950, USA; 138m
Restored Print!

“Fasten your seatbelts, it’s going to be a bumpy night!” Bette Davis stars as an aging Broadway actress opposite Anne Baxter as a manipulative fan who wants everything her idol has––literally. Winning enough Oscars to fill a trophy case, All About Eve remains the backstage-backstabbing jaw-dropper to beat. It’s a witty, devious delight from start to finish thanks to Davis, Baxter in all her bushy-tailed perfidy, and George Sanders as Addison DeWitt, with trademark world-weary cynicism.



Buy Tickets
Sun Sep 5: 3:30
Scene Photo Alien (Director's Cut)
Ridley Scott, 1979, USA; 137m

Q&A with Tom Skerritt following the screening!

The most powerful follow-up to Fox’s own Star Wars came from a British ad director who reinvented horror in space through claustrophobic suspense and an unforgettable monster. On a desolate spaceship, a dwindling crew (Sigourney Weaver, Tom Skerritt, Harry Dean Stanton, et al.) battles an unruly stowaway that makes one of the most memorable entrances in all of cinema. Winner of the Academy Award for Best Visual Effects and justly nominated for Best Art Direction (thanks to the ship’s design: dark, industrial corridors that still influence science-fiction films today).



Buy Tickets
Sun Sep 5: 6:15
Scene Photo Fight Club
David Fincher, 1999, USA; 139m

“Stunning, mordantly funny, formally dazzling.” —Gavin Smith, Film Comment

“A film without a single redeeming quality, which may have to find its audience in hell.” —Rex Reed, The New York Observer


Brad Pitt and Ed Norton star in the addictive cult classic that’s a powder-keg satire on masculinity, consumerism, and self-made revolution. Based on the novel by Chuck Palahniuk, its propulsive story of working-stiff breakdown and underground beatdowns reportedly had studio execs breaking out in a cold sweat. It was an early confirmation of the extraordinary talents of filmmaker David Fincher (director of the highly anticipated film The Social Network).



Buy Tickets
Sun Sep 5: 9:15
Scene Photo Gentleman's Agreement
Elia Kazan, 1947, USA; 118m
Restored Print!

A writer (Gregory Peck) goes undercover to research a story about anti-Semitism and discovers the limits of even the most liberal segments of polite society. Numerous awards, including the Academy and New York Film Critics nods for Best Picture, went to this adaptation of the Laura Z. Hobson novel which took a hard look at post-WWII America. With John Garfield as the writer’s friend, delivering an extraordinary account of the last minutes of a fellow Jew on a European battlefield.



Buy Tickets
Mon Sep 6: 12:00
Scene Photo Cleopatra
Joseph L. Mankiewicz, 1963, USA; 243m
70mm!

The movie that almost sank the studio, Joseph L. Mankiewicz’s years-in-the-making epic to end all epics cost a staggering $44 million in 1963 dollars, and remains an eye-popping spectacle today—especially in widescreen 70mm! Sporting a world-record number of costumes (including one made of 24K gold), Elizabeth Taylor strides into the role of the eponymous teen queen, and into the heart of both Julius Caesar (Oscar-nominated Rex Harrison) and Mark Antony (Richard Burton). Ancient Egypt—and the Hollywood gossip columns—would never be the same again.



Buy Tickets
Mon Sep 6: 3:00
Scene Photo Patton
Franklin J. Schaffner, 1970, USA; 169m/179m
70mm!

Winner of seven Academy Awards including Best Picture, Director and Original Screenplay (co-written by the young Francis Coppola), Franklin J. Schaffner’s magisterial biopic of General George S. Patton, Jr. channels the monomaniacal intensity of the man himself, focusing on Patton’s WWII triumphs to the virtual exclusion of his non-military life.

In his most iconic role, for which he won (and refused to accept) the 1971 Best Actor Oscar, George C. Scott commands the troops—and the screen—with spellbinding intensity, from his unforgettable entrance framed by Old Glory to his final realization that “all glory is fleeting.” “It is one of those sublime performances in which the personalities of the actor and the character are fulfilled in one another.” --Roger Ebert



Buy Tickets
Mon Sep 6: 8:00

Back to Top