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Charlie Chaplin
Spanish Cinema Now
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Chekhov
Italian Neo-Realism
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Youssef Chahine
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The Wall
Scary Movies 3
Latinbeat 09
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Natalie Wood
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I’m Gonna Explode
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Films of Ang Lee
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Toni Servillo
Shakespeare
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Grotowski
Tarkovsky
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Dardenne Bros.
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Steve McQueen
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Being Jewish in France
Forbidden Catalan Cinema
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Jancsó Classics
Program Overview
The Red and...
Red Psalm
The Round-Up
Silence and Cry
Gr. Scr.: Bike Month
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Red Diva
YFF/FCS: Jarmush
YFF: Days and Nights...
IN: Youth Knows No Pain
China Indie Cinema
MET Live: The Audition
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Satyajit Ray
AFF 09
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ND/NF Critic’s Choice
Robert Mulligan
Rendez-Vous
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Film Comment Selects
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Oscar Micheaux
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Positif Celebrates...
Cinematic Opera
CO: Moses and Aaron
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NY Jewish Film Festival
MET Live: La Rondine
DOC 2009
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Fincher
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Jancsó Classics
May 6-9, 2009
ALL-NEW 35MM PRINTS OF FOUR LANDMARK FILMS!
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“Those who have never seen a film by Miklós Jancsó from the 1960s, when this Hungarian director was at his peak, are usually astonished by the experience...To watch The Round-Up or 1967’s The Red and the White for the first time is to witness a kind of film ballet entering the realms of political drama.” – Derek Malcolm, The Guardian

Hungarian director Miklós Jancsó burst onto the international film scene with The Round-Up in 1966. For the next three decades, he remained one of cinema’s boldest stylists. The long takes and sinuous camera movements that immediately distinguish his films evolved into veritable cinematic ballets, his frame so full of movement and so richly composed with layers of action that he challenged the very notion of “the shot.” Join us as we get reacquainted with one of the movies’ most remarkable artists and several key works of modern cinema.

“Hungary’s most celebrated auteur and one of the great political filmmakers.” - J. Hoberman, The Village Voice

“A great screen choreographer.” – Richard Brody, The New Yorker

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