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Experimental Cinema in Spain
Spanish Cinema Now
December 5 - 24, 2008

Although Spain more than made its mark in the most progressive and challenging reaches of many other visual arts, the tradition of experimental filmmaking in Spain has received less attention. Often the distinctions between “experimental” and other kinds of cinema have been rather arbitrary, hopelessly blurred by films such as Life in Shadows (Llobet Gracia, 1948) or the works of the ’60s Barcelona School.

Selected by Jose Maria Prado, director of the Filmoteca Española, these two programs offer a brief introduction to this little-known strand of Spanish cinema. Our thanks to the Filmoteca Española for making these rare works available to us.

Admission: $11 public; $8 seniors (62+); $7 Film Society & Instituto Cervantes members, students (with ID) and children (6-12, accompanied by an adult). Please note: $1.25 service charge per ticket ordered online and cash only transactions at the box office.

Series Pass ($40 public/$30 Film Society member) admits one person to five titles in the series including the Cámara tribute and the experimental film programs. Available only at the Walter Reade Theater box office (cash only transactions); may not be combined with any other ticket offer. Individual screening tickets subject to availability.

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The Essence of the Fair

Avant-Garde Shorts
Spain; 69m
This wonderful selection of experimental short films offers a glimpse of yet another Spanish film tradition.

A masterpiece of stop-motion animation by Segundo de Chomon, The Electric Hotel (El hotel electrico, 1908) takes very good care of its guests.

The Essence of the Fair (Esencia de verbena, Ernesto Gimémez Caballero, 1930) is a kind of “city symphony” or “documentary poem” of Madrid. An Announcement and Five Cards (Un anuncio y cinco cartas, 1937) and The Fakir Rodríguez (El fakir Rodriguez, 1938) are short works satirizing the commercial cinema, created by popular playwright Enrique Jardiel Poncela.

Sabino Antonio Micón’s The Story of a Bottle (Historia de una botella, 1948) follows the trajectory of a bottle as it passes through the various levels and corners of Spanish society.

Director Jose Val del Omar — called “one of the great unknown filmmakers in world cinema” by no less than Amos Vogel — was a tireless researcher into shaping and modifying the sensual experience of the cinema. Part of his never-completed, four-part essay on Spain, Fire in Castille (Fuego en Castilla, 1958) is a mesmerizing journey through the city of Valladolid, blending Holy Week processions with natural imagery and works from the city’s remarkable Museum of Religious Sculpture. A visual tour-de-force.



 


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Sat Dec 20: 4:30



The Sixth Sense / El Sexto sentido
Nemesio M. Sobrevila & Eusebio Fernández Ardavín, Spain, 1929; 76m
Live piano accompaniment by Carolyn Schwarz.

The waves of avant-garde cinema that swept across Europe in the ’20s had a lesser impact in Spain, Buñuel and Dali notwithstanding. One remarkable exception was architect Nemesio Sobrevila’s The Sixth Sense.

Carlos takes his chronically depressed friend León to the mysterious Professor Kamus, who demonstrates his latest invention, The Sixth Sense, a super-camera that captures images from anywhere and everywhere. During his “projection-therapies,” León chances upon some images of Carlos’s girlfriend Carmen that makes him suspect she’s not being totally honest.

Part breezy Lubitsch-style comedy, part meditation on how to derive meaning from images, The Sixth Sense is a delightful, unexpected gem.




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Sat Dec 13: 1:30

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