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William Forsythe carved out a formidable career in Europe with occasional forays to New York City. His collaboration with Thierry de Mey, acclaimed for his screen adaptations of works by Anna Teresa de Keersmaeker, yields new insights into Forsythe's ingenious and complex choreography.
followed by
Biped is a brilliant capture of the multi-media production created in 1999, a collaboration between digital artists Paul Kaiser and Shelley Eshkar and choreographer Merce Cunningham and performed by his company. The animation sequences are largely derived from motion-captured phrases from the choreography, which drive abstracted images of hand-drawn dancers moving through spare and evocative spaces. In performance, the imagery is projected on a huge transparent scrim covering the front of a large proscenium stage, giving the illusion that it floats in front of and among the live dancers behind it.
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Thurs jan 4: 3:30
fri jan 12: 8:30*
*Post-screening Q&A with Charlie Atlas and Paul Kaiser
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