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Currently On Sale
On Sale: 2011 Archive
On Sale: 2010 Archive
On Sale: 2009 Archive
On Sale: 2008 Archive
On Sale: 2007 Archive
On Sale: 2006 Archive
SE: Magic Flute
Viva Pedro! Returns
SE: Inland Empire
Next Gen.: Affleck
YFF: Bad Company
Spanish Cinema Now
Program Overview
DarkBlueAlmostBlack
Crossing the Border
Celia’s Lives
Alatriste
Welcome Home
The Tower of...
Life Hanging...
The Night of...
Lady Nitwit
Quixotic
Tirant Lo Blanc...
The Education of Fairies
SHORTMETRAJE
Carnival Sunday
Round Two
The Crime...
7 Virgins
Salvador
Out of Here
Lola
The Magicians
Flamenco
The Last Horse
FCS: Charles Grodin
SE: Alan Arkin
Dance on Camera
Jewish Film Festival
Film Comment Selects
Mariinsky Theater
SFP: Broken Blossoms
The New World
Hearing Images
ND/NF Classics
SE: Elaine May
IN: kabul transit
SE: For Your Consideration
Janus Films
Two from Lebanon
U.S. vs Lennon
Prairie Home
SFP: Head over Heels
Anne Fontaine
Lulu Forever
Leo Awards
Kaufman Brothers
Film & Citizenship
Sensations in Sound
Next Gen.: Scorsese
Austrian Cinema
YFF: Nosferatu
IN: Home
Hungarian Cinema
Avant-Garde
LatinBeat
OC: Miami Vice
A Killer Life
Emergence
Sholay
YFF: Factotum
Russian Fantastik
The Lift Project
SFP: A Cottage on...
IN: Manhattan Kansas
RockDocs
Judy Holliday
SE: A Scanner Darkly
Heroic Grace II
Shaw Bros Classics
Scanners: NY Video Fest
Flying Daggers
OC: Touch the Sound
FCS: The Descent
OC: Superman Returns
Benoît Jacquot
Human Rights Watch
The Unburied Man
OC: United 93
YFF: Big Night
IN: Holy Modal
Syrian Cinema
Balanchine
Klimov & Shepitko
FCS: Pine Flat
Irving Berlin
New Italian Cinema
Kieslowski Series
YFF: Salaam Bombay!
African Film Festival
SFP: The Eagle
Film in Catalunya
YFF: Lonesome Jim
YFF: Big Chill
YFF: Bob the Gambler
French Docs
Rendez-Vous
Contempt
Film Comment Selects
On Sale: 2005 Archive
Archive 2005 - To April
Archive 2004 - WRT
Archive 2003 - WRT
Archive 2002 - WRT
Archive 2001 - WRT
Archive 2000 - WRT
Archive 1999 - WRT
Archive 1998 - WRT
Archive 1997 - WRT
Archive 1996 - WRT
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“It has been written that the influence of Italian neorealism arrived in Spain with two works, Furrows by Nieves Conde and That Happy Couple by Berlanga and Bardem. This is quite an arbitrary assertion, since Edgar Neville’s The Last Horse appeared on Spanish screens one year earlier. The film is certainly neorealist, although its neorealism is not a copy of anyone else’s, it has been filtered through the unmistakable personality of its director. The plot of the film tells of a soldier (Fernando Fernán Gómez) who, after being discharged, buys the horse he rode in his regiment as the regiment is about to be motorized and the horse is slated to be sent to the bullring. Much to his surprise and sadness, he finds that there is no place for such a noble animal in Madrid. The story of the ex-soldier and his horse is unexpectedly moving, and the film ends as a hymn to nature — long before ecology became so fashionable… Neville was a true auteur, and holds an unquestionable and outstanding place in the history of Spanish cinema.” – Emilio Sanz de Soto, Spanish Cinema 1896-1983
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Tue Dec 26: 3:10 & 6:40
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